FRIDAY 03 JANUARY 2020

FRI 19:00 A Hard Day's Night (b0074q9m)
Anarchic and offbeat 1960s story of 36 hours in the lives of The Beatles, as they travel to a TV show in London. The film uses a variety of cinematographic styles including documentary, surrealism and neorealism to create one of the milestone pictures of the decade.


FRI 20:30 Top of the Pops (m000crqz)
Big Hits 1989

As the 80s come to a close, the Top of the Pops vaults open once more to offer up the movers, shakers and chart toppers of 1989.

This compilation looks back at performances by established megastars Tina Turner and Phil Collins, all-conquering funki dreds Soul II Soul, dance queen Paula Abdul, northern soul girl Lisa Stansfield and wry vocal group The Beautiful South.

Madchester favourites Stone Roses and Happy Mondays also put in an appearance along with Stock Aitken and Waterman stalwarts Kylie Minogue, Jason Donovan and Sonia, not forgetting Sydney Youngblood, Mike and The Mechanics, Rebel MC and Double Trouble, plus duets from strange bedfellows Marc Almond and Gene Pitney, and Linda Ronstadt and Aaron Neville.


FRI 21:30 Top of the Pops (m000crqx)
The Story of 1989

As the 80s concluded with Margaret Thatcher’s tenth year in power in contrast to worldwide political change, Top of the Pops provided the perfect barometer of the UK's end-of-decade uncertainty.

Top of the Pops hosted Pete Waterman’s final year of chart domination, courtesy of Jason Donovan, alongside the dawn of Madchester, a fresh front of female artists with attitude and power, an old-school duet between a 60s legend and an 80s icon, funki dreds and, yes, that pesky bunny.

Meanwhile, Radio 1’s old guard were stood down as a team of fresh-faced recruits from children’s television took up the helm of the BBC’s weekly pop warhorse, which remained torn between its sense of heritage and the emerging threat of youth TV.

The stars of the year, including Jason Donovan, Lisa Stansfield, Shaun Ryder, Chris Rea, Marc Almond, Sharleen Spiteri, Jazzie B and more, plus TOTP presenter Jenny Powell, deliver their tales of a poptastic 1989 at Television Centre as they prepare to head into the 1990s.


FRI 22:30 Soft Cell: Say Hello, Wave Goodbye (m0002tc3)
2018 marked the 40th anniversary of Soft Cell, one of the most colourful and charismatic bands in the history of popular music. To celebrate this landmark, singer Marc Almond and musician Dave Ball reunited for an emotional, sold-out, farewell concert at London’s O2 Arena that September.

With unprecedented access to Marc and Dave, this film follows the build-up to that gig and provides an intimate retrospective portrait of one of our greatest bands and most iconic singers. It shows rehearsals and preparations for the O2 show and footage from the actual concert itself, woven in with period archive and music videos.

The film covers Marc’s formative years growing up in Southport and Dave’s in nearby Blackpool and how the two met as art students at Leeds Polytechnic in the late 1970s. We filmed Marc and Dave in The Fenton pub in Leeds, where they went as students, and they perform an early Soft Cell song, A Man Could Get Lost, on Dave’s original keyboards especially for the BBC Four audience at The Warehouse Club where the band did their first-ever paid gig.

Soft Cell burned brightly between 1981 and 1984, after their gritty but stunning cover version of Tainted Love became a massive hit, the best-selling single in the UK of 1981 and a number one hit in 15 other countries, including the USA. Dave plays from the master tapes of that era-defining song for us.

But Soft Cell were always more interested in using their success to subvert the mainstream than in becoming pop stars, as they tell us in relation to Marc’s groundbreaking, androgynous debut on Top of the Pops. It was the beginning of a controversial career that deliberately defied and flouted convention. Soft Cell were influenced as much by punk as by Northern Soul and Kraftwerk, and refused to be pigeonholed by anyone, bringing a punk ethos to synth-pop while busting taboos along the way. In their heyday, even while refusing to compromise on their musical vision, the pair produced numerous top ten singles and three classic albums, selling 10 million records overall.

Soft Cell’s approach was wittier and more sophisticated than the press gave them credit for. Their first album, Non-Stop Erotic Cabaret, saw them labelled as sleazy and perverted, when in reality it deliberately used the setting of London’s Soho to explore the social and sexual undercurrents of British society at the time. The single Bedsitter laid bare the glamour of escapism from the grim realities of Thatcher’s Britain for many, while the Soft Cell anthem, Say Hello, Wave Goodbye, was actually about a powerful man, perhaps a politician, breaking off an affair with a call-girl. The video for that album’s most controversial track, Sex Dwarf, was inspired by a real headline in the News of the World. It resulted in their management’s offices being raided by the Vice Squad and the band being criticised by the very same paper.

Soft Cell’s second album, a deliberately darker work called The Art of Falling Apart, was recorded in New York and we will see how the duo’s immersion into the underground club scene and subculture informed songs such as Heat and the single Numbers, a song that spoke about promiscuity in the gay scene and proved prophetic about the coming AIDS epidemic. Despite the prejudices of the time, it managed to reach number 25 in the UK charts.

But the pressures they felt to produce more commercial music began to take its toll on them and Marc and Dave talk candidly about how they began to drift apart and slip into the sex, drugs and rock ‘n’ roll lifestyle, with both becoming addicted to a variety of drugs. By 1983, before the recording of their album, This Last Night in Sodom, the duo had already decided to go their separate ways as otherwise, as Dave puts it, ‘one of us wasn’t going to make it’.

Even at the height of their addictions and near breakdowns, Soft Cell still produced a classic album with a harder, more industrial electric sound that has been cited as hugely influential by artists such as Marilyn Manson and Trent Reznor of Nine Inch Nails.

After their separation in 1984, we see how Marc Almond has gone on to become one of our greatest performers, selling an estimated 20 million records as a solo artist in a huge variety of styles, from mainstream pop to experimental ventures. The film includes sequences with Marc at the Moulin Rouge in Paris, exploring his love of Jacques Brel and French chansons, performing one of the Russian folk songs he loves – a genre in which he recorded two albums of music in the early 2000s - and with Jools Holland and His Rhythm & Blues Orchestra with whom he has recorded an album, A Lovely Life to Live, in 2018. We also look at Dave’s solo career with successful dance duo The Grid.

The documentary ends with the duo’s rousing performance of Say Hello, Wave Goodbye at the O2.


FRI 23:30 Smashing Hits! The 80s Pop Map of Britain and Ireland (b0b99nq0)
Series 1

Episode 1

Two 80s icons explore the distinct sounds that came out of different parts of Britain and Ireland in one of pop's golden decades.

Midge Ure, lead singer of Ultravox and one of the men behind Band Aid, and Kim Appleby, who had a string of hits with her sister Mel in the Stock, Aitken and Waterman-produced band Mel and Kim, go on a journey back in time to the 80s to figure out why certain cities produced their own diverse tunes.

It's a fascinating tale. Emerging from the ashes of punk, British and Irish music ripped up the pop rule book in the 80s and topped the charts worldwide. But there was no definitive 'British' pop sound. Innovative chart-toppers were being produced by artists hailing from all over the UK and Ireland.

In this first episode, Midge Ure and Kim Appleby explore London's new romantic movement, travel to Coventry to investigate the rise of ska and speak to some of Sheffield's electronic music pioneers.

The show features interviews with key figures, like Gary Kemp from Spandau Ballet, Marco Pirroni from Adam and the Ants, Pauline Black from The Selecter, Martin Ware and Glenn Gregory from Heaven 17 and 'super-producer' Trevor Horn. But of course the star is the music - and this episode includes some of the best tunes, videos and performances from the early part of this marvellous musical decade.


FRI 00:30 Depeche Mode at the BBC (b08l6sm2)
It's 2017 and synth giants Depeche Mode are back with their 14th studio album Spirit, the band's "timeliest work yet". As the rave reviews fly in, here is a look back at the journey of one of the UK's longest-lasting and most successful bands who emerged from the UK's post-punk scene over three decades ago by featuring clips from various BBC programmes, including Multi-Coloured Swap Shop, Synth Britannia, The OZone, Def II and The Whistle Test.

From their first appearance on Top of the Pops in 1981 and the tales of how they got there, to performing on Later...with Jools Holland in 2009, the programme shares archive testimony and recent interviews from core members Dave Gahan, Vince Clarke, Martin Gore and Andy Fletcher. New Life, Just Can't Get Enough, Blasphemous Rumours and Personal Jesus are among some of the classic tracks performed.


FRI 01:30 Top of the Pops (m000crqz)
[Repeat of broadcast at 20:30 today]


FRI 02:30 Top of the Pops (m000crqx)
[Repeat of broadcast at 21:30 today]